Scarcity creates creativity
Scarcity creates...The question is what is meant exactly with 'Durable'. According to the dictionary it means long lasting, able to exist for a long time without significant deterioration. The question is whether this can actually be reached through thicker insulation packages, better glass, more economical installations and by using less environmentally unfriendly materials. Since 'Without significant deterioration' only says something about the building quality and 'long lasting' should actually tell something about the quality of the building. I think it goes wrong with the latter. The average building can, structurally seen, easily remain standing for fifty years and are partly thanks to the quality of their coat thus actually durable. Especially office buildings seem to have functional a much shorter life span because of new communication- and climate management techniques, but also because of new ideas about organisation structures. A growing group of Dutch architects wonders whether we should build for eternity. Don't temporary buildings satisfy the demands of the present day zap-generation that is continuously searching for something new? That is why Jouke Post designed the Project XX. This recently completed office building will be disassembled in twenty years. It was Post's intention that after disassembly only a pile of dust would remain. The materials are selected in such a way and the details are designed in a way that everything can be reused or recycled in some way or another. For practical reasons however a foundation that could be disassembled seemed not feasible in this project and the roads to the building are more or less permanent. So the building will not disappear completely. Post considers his building to be environmentally friendly, but not durable. This is where the confusion about the definition crops up again. The building is dealing in a sustainable way with the sources and -this is the most important- with the human needs. So in my opinion this building is therefor much more durable than many snug freestanding homes in the middle of nowhere that is paraded proudly as 'Durably Built'.However a city can not just be implemented in such a light way. The buildings that are meant to be permanent should be built in such a way that they are more or less permanent. The sustainable measures of the government aren't really aiming at the prolonging of the functional life span of buildings. Consequently no points of contacts can be found there for a longer life expectancy. In his book 'Duurzaamheid loont' (Sustainability pays) P. Bijdendijk primarily advocates oversized homes. Together with enough constructive strength and a fascinating expression of the building larger and higher rooms make it possible to transform homes, as soon as they are superfluous, to for example offices. It is hard to determine what an interesting expression is, but the other demands seem easy to implement.
To make offices literally more durable flexibility (easily to be adapted to new needs) seems to be a requirement. At least as important is however that the offices are experienced as pleasant. The inner climate plays an important role here. The office inhabitant must have contact with outside and must above anything be able to influence the inner climate. He must be able to open the window himself, lower the sunshade or turn on the heating. Too intelligent buildings, where computer controlled installations determine the temperature within one-tenth of a degree accuracy, are on the other hand experienced as very unpleasant. The building itself is increasingly used to (partially) manage the climate. By using the mass of the building and by applying buffers (such as double skin façades, atria and conservatories) installations become superfluous in at least an important part of the year. This doesn't only limit the use of energy, it also gives buildings a contrast rich inner climate. This is in my opinion an important criterion for Sustainability. Every day and even every hour there is a slightly different inner climate. This will keep people sharp. Because of this continuous change the working environment will not bore quickly; the zapping is slowed down. ...creativityThe example of a contrast rich building in the Netherlands that is
carried out the furthest -event though not an office- is the Minnaert
building by Neutelings Riedijk architects in Utrecht. Basically the
computers, the students and the lighting heat this building for the
Utrecht's University. The legally required heating is only turned
on after the winter vacations to quickly heat the building. For the
cooling -a much larger problem in modern buildings- the rainwater that
is gathered in the pond in the central hall is used. During the day
this water is pumped to the cooling ceilings and at night to the cooling
tower to release the absorbed heat back to the atmosphere. Not only
the temperature, but also acoustics and even smells are used in the
building to create different atmospheres. Besides, Neutelings and Riedijk
didn't make the building without installations just for ecological reasons.
An important part of the budget for the building is used for the installations.
More space was created for their architecture by designing a major part
of the installations out of the building. This way they could implement
a central hall that wasn't requested but in their view was an essential
requirement for the functioning of such a building. This enriches the
architecture.
Contrary to Neutelings Riedijk and Uytenhaak, that use the mass of
the building to absorb the heat, the Delft bureau CEPEZED is creating
extremely light steel/glass buildings. Because of their lack of mass
they react instantaneously to the outer climate. The bureau places perforated
steel sheets in front of their buildings, which creates a microclimate.
This converts the wind in very small turbulences right behind the perforations,
which creates a zone with less wind around the building, so windows
can be opened throughout a large part of the year. An uncontrolled heating
of the building is prevented this way. Ed Melet photos by Christian Richters and Daria Scagliola/Stijn Brakkee
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